Kali Malone Readies New Album Burning Song

Kali Malone’s discography showcases her boundless curiosity and creative restlessness. Her music frequently traverses multiple eras, styles, and instrumentation, defying easy categorization. Now, with the announcement of her new album Burning Song, Malone embarks on a sonic exploration of baroque music.

Burning Song was recorded at Thomaskirche in Leipzig, Germany, home to the Bach Organ – an instrument based on baroque tunings and temperament. The choice of location is deliberate: Malone has long been drawn to the complex relationships between past and present, tradition and innovation. By performing on the Bach Organ, she pays homage to a bygone era while subverting it with her own unique vision.

Malone’s music often operates at the intersection of the sacred and the profane, the beautiful and the unsettling. Her previous work has explored themes of mortality, time, and the human condition. Burning Song promises to be no exception, featuring Malone joined on this album by Stephen O’Malley on guitar and Lucy Railton on cello – a trio that’s worked together before.

The announcement comes with a single, “Heavy With Fruit,” which offers a glimpse into the world of Burning Song. The song’s sparse, haunting beauty is reminiscent of Malone’s earlier work yet hints at new textures and moods to come.

Malone’s discography is notable not only for its eclecticism but also for its historical consciousness. Her albums often contain nods to forgotten masters or obscure traditions. With Burning Song, she seems to be tracing a path that’s both backward-looking and forward-thinking – an attempt to merge the past with the present in a way that’s both reverence and radical reinterpretation.

Malone is embarking on a European tour that promises to be just as fascinating as her music. She will perform at various venues across the continent, from electronic sets in Lisbon to solo organ performances in Switzerland. Each stop on the itinerary offers a unique opportunity for Malone to connect with audiences and push the boundaries of her craft.

Malone’s work is often compared to other avant-garde musicians who’ve sought to recontextualize classical music. However, her approach is distinct – characterized by a deep respect for tradition and a willingness to challenge it from within. As she navigates the complex relationship between past and present in Burning Song, Malone may redefine what we think of as “baroque” music.

Malone’s fans will be eager to see how this new album fits into her oeuvre – whether it continues down the path of The Sacrificial Code or veers off into new territory. One thing is certain: Kali Malone remains a vital and compelling presence in the world of experimental music.

With Burning Song, Malone invites us on a journey through the labyrinthine corridors of history, where past and present collide in unexpected ways. Will she emerge with a new vision for what baroque music can be? Or will this album prove to be another chapter in her ongoing exploration of sound and meaning? Only time – and Malone’s own creative trajectory – will tell.