Director Pengfei's latest film, "Take Off", premiered at the Tokyo International Film Festival and marks a continuation and evolution of the filmmaker's artistic concerns. The movie, adapted from Shuang Xuetao's novella "The Aeronaut," follows Li Mingqi (played by Jiang Qiming), an ordinary worker in Northeast China who inherits his late father's obsession with flight - a dream that spans decades and tests the limits of his persistence.
Set against the backdrop of China's dramatic economic transformation from the 1970s to the present, "Take Off" unfolds as a poignant tale of love, family, and the human spirit. Li Mingqi and his wife attempt to rebuild their lives by opening a dance hall in an abandoned factory museum, using a hot air balloon as a tourist attraction, but when his nephew falls critically ill, he faces an impossible choice: accept the limitations of his earthbound existence or risk everything for one final flight.
For Pengfei, this project represents his first literary adaptation and marks a deepening of his thematic concerns. "I think 'Take Off' brings together the emotional themes from my previous films, including love and family," he explains. "But this film delves into a deeper layer by incorporating the emotional dynamic between individuals and their dreams, which gives the story greater depth."
Pengfei's commitment to authenticity is evident in every aspect of the production. The director pursued sincerity and intensity throughout the scriptwriting process, pouring his heart into bringing Shuang Xuetao's characters to life. Conducting extensive field research in Northeast China also helped him tap into the warmth and wit that characterizes the author's work.
Casting was crucial to the film's emotional authenticity. Pengfei found his lead in Jiang Qiming, an actor known for his detached nature, which perfectly matches how Li Mingqi is described in the novel and screenplay. The cast also includes veteran actor Jiang Wu, whose natural chemistry with Jiang Qiming required minimal direction.
Working with cinematographer Lv Songye, Pengfei made a significant stylistic departure from his previous work, embracing handheld and moving cameras to capture the actors' breathing and convey the emotional intensity of the story. Production designer Liu Qing brought his own touch to period details, infusing the film with memories from his past experiences.
The score, composed by Suzuki Keiichi, is another standout element that contributes to the film's emotive depth. Pengfei values their collaboration, citing the simplicity and directness it allows for creative expression.
Pengfei credits Taiwanese director Tsai Ming-liang as a significant influence on his approach to filmmaking, instilling in him a seriousness towards cinema and attention to detail. While "Forrest Gump" may share similarities with Li Mingqi's journey, Pengfei sees persistence but also the power of letting go, allowing the character to pick up his dream without hesitation.
Ultimately, Pengfei views "Take Off" as a fable-like story that transcends its specific setting to address universal questions about dreams and dignity. For him, the film is not just a tale of one man's pursuit of his passion but also an exploration of what it means to hold onto our dreams in the face of life's challenges. As he reflects on the journey, Pengfei reveals that this is only the beginning - a journey into the lives of Northeast China's working-class that will continue with future collaborations with Shuang Xuetao.
				
			Set against the backdrop of China's dramatic economic transformation from the 1970s to the present, "Take Off" unfolds as a poignant tale of love, family, and the human spirit. Li Mingqi and his wife attempt to rebuild their lives by opening a dance hall in an abandoned factory museum, using a hot air balloon as a tourist attraction, but when his nephew falls critically ill, he faces an impossible choice: accept the limitations of his earthbound existence or risk everything for one final flight.
For Pengfei, this project represents his first literary adaptation and marks a deepening of his thematic concerns. "I think 'Take Off' brings together the emotional themes from my previous films, including love and family," he explains. "But this film delves into a deeper layer by incorporating the emotional dynamic between individuals and their dreams, which gives the story greater depth."
Pengfei's commitment to authenticity is evident in every aspect of the production. The director pursued sincerity and intensity throughout the scriptwriting process, pouring his heart into bringing Shuang Xuetao's characters to life. Conducting extensive field research in Northeast China also helped him tap into the warmth and wit that characterizes the author's work.
Casting was crucial to the film's emotional authenticity. Pengfei found his lead in Jiang Qiming, an actor known for his detached nature, which perfectly matches how Li Mingqi is described in the novel and screenplay. The cast also includes veteran actor Jiang Wu, whose natural chemistry with Jiang Qiming required minimal direction.
Working with cinematographer Lv Songye, Pengfei made a significant stylistic departure from his previous work, embracing handheld and moving cameras to capture the actors' breathing and convey the emotional intensity of the story. Production designer Liu Qing brought his own touch to period details, infusing the film with memories from his past experiences.
The score, composed by Suzuki Keiichi, is another standout element that contributes to the film's emotive depth. Pengfei values their collaboration, citing the simplicity and directness it allows for creative expression.
Pengfei credits Taiwanese director Tsai Ming-liang as a significant influence on his approach to filmmaking, instilling in him a seriousness towards cinema and attention to detail. While "Forrest Gump" may share similarities with Li Mingqi's journey, Pengfei sees persistence but also the power of letting go, allowing the character to pick up his dream without hesitation.
Ultimately, Pengfei views "Take Off" as a fable-like story that transcends its specific setting to address universal questions about dreams and dignity. For him, the film is not just a tale of one man's pursuit of his passion but also an exploration of what it means to hold onto our dreams in the face of life's challenges. As he reflects on the journey, Pengfei reveals that this is only the beginning - a journey into the lives of Northeast China's working-class that will continue with future collaborations with Shuang Xuetao.