Mark-Anthony Turnage has breathed new life into E. Nesbit's classic 1906 tale "The Railway Children" with an energetic and captivating family opera that transcends age boundaries. By reimagining the story in the 1980s, the composer and librettist have successfully dispelled the musty nostalgia surrounding the original work.
Turnage's score is a masterclass in atmosphere and tension, harnessing train noises to underscore emotional shifts while incorporating vivid orchestral textures, from shifting strings to harp and flute passages. The incorporation of snippets from Stravinsky's "The Rite of Spring" adds an air of modernity, underscoring the Russian dissident's presence.
The cast delivers strong performances across all roles, with standout portrayals from Jessica Cale as Bobbie, Matthew McKinney as Peter, and Henna Mun as Phyllis. The ensemble work is well-coordinated, bringing depth to the story without overwhelming it.
A notable highlight lies in the relationship between parents Cathy (Rachael Lloyd) and David (Edward Hawkins), whose mutual whistleblower activities are amplified here for added tension. Mr Perks (Gavan Ring) brings a warm presence to his portrayal, while James Cleverton lends authority as Sir Tommy Crawshaw, even if the character feels slightly underwritten.
However, it is Turnage's work that truly drives this production forward, imbuing every scene with an effortless sense of urgency and emotional resonance. The Railway Children proves a worthy addition to the operatic canon, one that will likely resonate deeply with new audiences eager for innovative storytelling.
Turnage has done justice to Nesbit's original by making it accessible to all ages without sacrificing its essence or tone. A standout score and committed performances ensure this production is an unmissable event in any opera enthusiast's calendar.
				
			Turnage's score is a masterclass in atmosphere and tension, harnessing train noises to underscore emotional shifts while incorporating vivid orchestral textures, from shifting strings to harp and flute passages. The incorporation of snippets from Stravinsky's "The Rite of Spring" adds an air of modernity, underscoring the Russian dissident's presence.
The cast delivers strong performances across all roles, with standout portrayals from Jessica Cale as Bobbie, Matthew McKinney as Peter, and Henna Mun as Phyllis. The ensemble work is well-coordinated, bringing depth to the story without overwhelming it.
A notable highlight lies in the relationship between parents Cathy (Rachael Lloyd) and David (Edward Hawkins), whose mutual whistleblower activities are amplified here for added tension. Mr Perks (Gavan Ring) brings a warm presence to his portrayal, while James Cleverton lends authority as Sir Tommy Crawshaw, even if the character feels slightly underwritten.
However, it is Turnage's work that truly drives this production forward, imbuing every scene with an effortless sense of urgency and emotional resonance. The Railway Children proves a worthy addition to the operatic canon, one that will likely resonate deeply with new audiences eager for innovative storytelling.
Turnage has done justice to Nesbit's original by making it accessible to all ages without sacrificing its essence or tone. A standout score and committed performances ensure this production is an unmissable event in any opera enthusiast's calendar.